Disabled Parker
Step into the world of Disabled Parker — raw emotion, noise, and meaning collide here. Explore our albums, stories, and everything that fuels the chaos behind the music.
Featured Products
Cherry Machine marks the explosive debut of Disabled Parker, capturing the duo’s raw and unapologetic sound at its purest form. Recorded in 2025, this original version blends gritty alt-rock energy with haunting melodic hooks, soaked in distortion, emotion, and offbeat charm. From punchy guitars and restless drums to surreal lyrics that blur humor and heartbreak, Cherry Machine stands as the foundation of the Disabled Parker universe — loud, human, and unforgettable.
1. Cherry Machine – 4:27
2. Mama’s A Cheap Skate – 4:26
3. My Mother Is Not Satisfied With My Fathers – 2:59
4. Penis – 2:38
5. Broken Chair, Feline Leukemia, Hiroshima And Nagasaki Plus The Goblin Fentanyl Crisis – 6:14
6. What You Can’t Buy As A Broke College Student – 1:24
7. What You Can’t Buy As A Homeless Person – 3:20
8. I Broke Out All My Teeth On The Mic – 0:16
9. Type-2 Diabetes – 7:05
10. Lawn Mower Overture, Pt. 1 – 6:58
11. Lawn Mower Overture, Pt. 2 – 5:51
The definitive edition of Cherry Machine, the album that started it all. This Deluxe 3-CD set dives deep into the origins, evolution, and chaos behind Disabled Parker’s debut record — expanding the raw, jagged emotion of the 2025 original into a full retrospective experience.
Disc One features the complete Cherry Machine album, newly remastered from the original sessions. Every distortion crackle and vocal imperfection is preserved, capturing the band’s earliest fire and unfiltered drive.
Disc Two collects a massive archive of demos, outtakes, and unfinished experiments from the recording process — a revealing look at how the songs formed in their earliest, most volatile state.
Disc Three brings the band to the stage with a blistering live performance recorded at the MVP Arena in Albany, NY, where the songs take on new energy and chaos in front of a roaring crowd.
This deluxe edition also includes a brand-new booklet featuring never-before-released liner notes, photos, and personal reflections from the sessions — a full glimpse into the creation of one of Disabled Parker’s most defining works.
1. Cherry Machine – 4:27
2. Mama’s A Cheap Skate – 4:26
3. My Mother Is Not Satisfied With My Fathers – 2:59
4. Penis – 2:38
5. Broken Chair, Feline Leukemia, Hiroshima And Nagasaki Plus The Goblin Fentanyl Crisis – 6:14
6. What You Can Buy As A Broke College Student – 1:24
7. What You Can’t Buy As A Homeless Person – 3:20
8. I Broke Out All My Teeth On The Mic – 0:16
9. Type-2 Diabetes – 7:05
10. Lawn Mower Overture, Pt. 1 – 6:58
11. Lawn Mower Overture, Pt. 2 – 5:51
12. My Mother Is Not Satisfied With My Fathers (Demo/Outtake) – 1:11
13. Broken Chair, Feline Leukemia, Hiroshima And Nagasaki Plus The Goblin Fentanyl Crisis (Demo) – 5:17
14. Sugar Crash Blues (Type-2 Diabetes) (Outtake) – 0:23
15. I Broke Out All My Teeth On The Mic (Teeth Breaking) – 0:05
16. Broken Chair, Feline Leukemia, Hiroshima And Nagasaki Plus The Goblin Fentanyl Crisis (Ending Outtake) – 0:11
17. Penis (Demo) – 2:39
18. What You Can Buy As A Broke College Student (Outtake 1) – 0:30
19. ASMR Sensations (I Broke Out All My Teeth On The Mic) (Alternate Version) – 0:12
20. What You Can Buy As A Broke College Student (Outtake 2) – 0:52
21. What You Can Buy As A Broke College Student (Outtake 3) – 0:49
22. What You Can’t Buy As A Homeless Person (Demo) – 1:58
23. I Broke Out All My Teeth On The Mic (Uncut Version) – 0:16
24. Type-2 Diabetes (Outtake) – 0:34
25. What You Can Buy As A Broke College Student (Demo) – 1:15
26. What You Can’t Buy As A Homeless Person (Final Ending Only) – 1:19
27. Type-2 Diabetes (Vocal Range Test) – 0:32
28. Mama’s A Cheap Skate (Live at MVP Arena, Albany, NY 10/15/25) – 4:18
29. Type-2 Diabetes (Live at MVP Arena, Albany, NY 10/15/25) – 6:18
30. My Mother Is Not Satisfied With My Fathers (Live at MVP Arena, Albany, NY 10/15/25) – 2:40
31. What You Can Buy As A Broke College Student / What You Can’t Buy As A Homeless Person (Live at MVP Arena, Albany, NY 10/15/25) – 4:34
32. Penis (Live at MVP Arena, Albany, NY 10/15/25) – 3:08
Butane is the sound of ignition.
With this EP, Disabled Parker steps away from expectation and into combustion — trading comfort for chaos, polish for pressure. Where earlier releases built atmosphere and narrative worlds, Butane feels immediate, volatile, and alive. It doesn’t slowly unfold. It sparks.
Sonically, the EP explores a darker and more experimental direction. Guitars feel more abrasive and industrial, drums hit with mechanical precision, and the vocals swing between whispered confession and explosive confrontation. There’s a tension running through every track — like something dangerous waiting to light. The production leans raw and textured, embracing distortion, uncomfortable silence, and sudden dynamic shifts. It’s not just heavier — it’s sharper.
Lyrically, Butane is some of Disabled Parker’s most shocking and confrontational writing to date. The EP dives into themes of identity, anger, self-reflection, ego, and collapse. Lines feel less filtered, more exposed — sometimes aggressive, sometimes painfully honest. Instead of hiding behind metaphor, the writing often stares directly into uncomfortable truths. It’s not shock for the sake of shock — it’s intensity as honesty.
One of the boldest moments on the EP is a reinterpretation of a Marilyn Manson track — a cover that doesn’t simply replicate the original but reimagines it through the Disabled Parker lens. The band strips it down and rebuilds it with their own sonic fingerprint, blending industrial grit with emotional volatility. The result feels less like tribute and more like confrontation — honoring the influence while asserting independence.
Short, focused, and unrelenting, the EP captures a band in transition — pushing boundaries, experimenting with tone, and embracing risk. It’s the sound of pressure meeting flame. And once it’s lit, there’s no going back.
I’ve Seen You Before
Rock N’ Roll Nigger
Silhouette
Smoke
Watch It
Pussy Mouth
Injection is the turning point for Disabled Parker — a concept album diving into paranoia, control, and the collapse of self. It tells the story of a character consumed by manipulation and mental decay, wrapped in distorted guitars, industrial textures, and haunting dialogue. The record moves like a fever dream: relentless, anxious, and deeply personal. Every track bleeds into the next, forming a single unbroken descent into the darker corners of the human mind.
1. Normal – 2:16
2. Needles In Me – 4:23
3. Tom – 3:41
4. Chasing Shadows – 3:17
5. Mentor Of Addiction – 1:42
6. Ashes – 4:21
7. Glass Half Empty – 3:41
8. Fixing the Broken Glass – 3:25
9. Keeping Time – 4:55
10. Contemplation – 2:36
11. Rot In Silence – 5:02
12. Prayer To No One – 1:52
13. Apologies In Red – 3:55
14. No Doors, No Windows – 1:11
15. The Grave Is Already Dug – 2:25
16. Injection – 7:40
A1. Normal – 2:16
A2. Needles In Me – 4:23
A3. Tom – 3:41
A4. Chasing Shadows – 3:17
A5. Mentor Of Addiction – 1:42
A6. Ashes – 4:21
A7. Glass Half Empty – 3:41
A8. Fixing the Broken Glass – 3:25
B9. Keeping Time – 4:55
B10. Contemplation – 2:36
B11. Rot In Silence – 5:02
B12. Prayer To No One – 1:52
B13. Apologies In Red – 3:55
B14. No Doors, No Windows – 1:11
B15. The Grave Is Already Dug – 2:25
B16. Injection – 7:40
A1. In Reach – 9:31
A2. Finding – 11:45
A3. Oblique, Pt. 1 – 8:28
B4. Oblique, Pt. 2 – 9:28
B5. Higher – 11:45
B6. Truth – 9:30
Cherry Machine marks the explosive debut of Disabled Parker, capturing the duo’s raw and unapologetic sound at its purest form. Recorded in 2025, this original version blends gritty alt-rock energy with haunting melodic hooks, soaked in distortion, emotion, and offbeat charm. From punchy guitars and restless drums to surreal lyrics that blur humor and heartbreak, Cherry Machine stands as the foundation of the Disabled Parker universe — loud, human, and unforgettable. this product is about.
A1. Cherry Machine – 4:27
A2. Mama’s A Cheap Skate – 4:26
A3. My Mother Is Not Satisfied With My Fathers – 2:59
A4. Penis – 2:38
A5. Broken Chair, Feline Leukemia, Hiroshima And Nagasaki Plus The Goblin Fentanyl Crisis – 6:14
B6. What You Can’t Buy As A Broke College Student – 1:24
B7. What You Can’t Buy As A Homeless Person – 3:20
B8. I Broke Out All My Teeth On The Mic – 0:16
B9. Type-2 Diabetes – 7:05
B10. Lawn Mower Overture, Pt. 1 – 6:58
B11. Lawn Mower Overture, Pt. 2 – 5:51
All That’s Left in a Photo finds Disabled Parker at their most reflective and atmospheric. Spanning six long tracks — with two passing the eleven-minute mark and the rest stretching between eight and nine minutes — the album unfolds slowly, like a dream you can’t fully remember.
It’s an intimate, cinematic record built from reverb-washed guitars, fractured vocals, and thick ambient layers that hang between calm and collapse. The songs explore fading memory, grief, and the strange warmth of nostalgia — moments that linger just long enough to hurt.
Less a continuation and more a quiet aftermath to Injection, All That’s Left in a Photo captures Disabled Parker’s sound stripped down to its emotional core: imperfect, slow-burning, and achingly real.
1. In Reach – 9:31
2. Finding – 11:45
3. Oblique, Pt. 1 – 8:28
4. Oblique, Pt. 2 – 9:28
5. Higher – 11:45
6. Truth – 9:30
Disabled parker ethos
Disabled Parker isn’t just a band — it’s a philosophy. It’s the rejection of the artificial, the rebellion against clean perfection, and a celebration of the messy, unpredictable side of being human. Founded by Alex Hunter and Owen McGarry, Disabled Parker was built on the belief that art should feel before it’s ever made to sound “good.” Their music isn’t about chasing polish or praise — it’s about expression, honesty, and complete creative freedom.
From the very beginning, Disabled Parker has stood apart from everything the modern music machine represents. Where most artists bury flaws under auto-tune and layered edits, Alex and Owen leave them in full view. The hum of bad wiring, the microphone feedback, the vocal breaks — these are the textures of truth. They’re reminders that music, at its core, is imperfect because we are imperfect. Disabled Parker believes that beauty doesn’t come from control, but from surrender — from letting a song become what it wants to be rather than forcing it into a shape that sells.
Every album, from Cherry Machine to Injection, All That’s Left in a Photo, and the upcoming Obscura, carries that philosophy. They record the way they live — with urgency, emotion, and no filter. The studio isn’t a sterile space for “fixing” things; it’s a living organism, full of mistakes that matter. Each take is a real performance, and if a guitar buzzes or a vocal cracks, it stays. That’s the sound of life bleeding into the record.
The Disabled Parker ethos extends far beyond sound — it’s visual, tactile, and personal. Their CD releases are handmade and handled with care, from the disc art to the inserts and liner notes. There’s something sacred about a physical release — something that can’t be replicated by a stream or download. Every copy feels like a part of the band’s DNA, a physical manifestation of the noise, sweat, and emotion that went into making it.
Disabled Parker doesn’t make music for algorithms, charts, or approval. They make it for the people who still dig through crates of old records, who love the smell of a booklet, who crave art that’s rough around the edges. They make it for the listener who understands that a song can hit harder when it’s not perfect — when it sounds like it’s about to fall apart, but keeps going anyway.
Their songs are not meant to be background noise — they’re meant to consume you. They demand to be listened to with attention, not skipped through on shuffle. The band thrives in that space between chaos and beauty, where emotion and distortion collide. Disabled Parker doesn’t try to be clean, commercial, or radio-ready — they try to be real.
And that’s the essence of their message: imperfection is honesty. A cracked note carries more weight than a polished one. A shaky vocal says more about humanity than a perfect mix ever could. Disabled Parker embraces discomfort, mistakes, and vulnerability — not as flaws, but as proof of being alive.
Their ethos can be summed up like this:
Don’t fix it. Feel it.
In a world that edits everything into silence, Disabled Parker turns the volume up — not just on their amps, but on emotion, chaos, and truth. Every record they make is an act of resistance against the fake and the easy. Every sound is a reminder that music doesn’t need to be perfect to matter.
It just needs to mean something.
That’s the Disabled Parker ethos.
